#little comfort story
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navithescribe · 1 year ago
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So, @tmntxthings wrote me this because I have been having a tough time lately, and I was in need of some turtle-comfort, and I love it. 💕
Thank you again, sweet Grace, I really appreciate it. 🫶
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iheartsteve0704 · 1 month ago
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What happens when we find out that Rio (literally THE green witch) conjured up Señor Scratchy to “find” Agatha in the woods??? Because Rio knew that Agatha was lonely and sad and grieving after Nicky and wanted her to have a companion. And it made Rio feel a lot better knowing Agatha had this piece of Rio, even if she didn’t know it (Agatha knew it).
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slfcare · 11 months ago
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When I was younger, I was in love with the idea of moving out to a lone island and never speaking to anyone again. I wasn’t good at talking, physically, nor did conversations come easy to me, so I kept quiet and I was totally fine with that. But while the people closest to me rolled their eyes at my wishes (again, lone island), nobody told me how talking to people was fun. Nobody told me how nice of a feeling it was to feel a new friendship blossom, to have inside jokes with people, to hand out compliments and get them back, to ask questions to people who are excited about having the answers, to remember something that someone mentioned last time and make them feel heard, to flatter people, to share slightly embarrassing facts and be able to laugh about them, to have people to say hi and bye to. It took me years and years and years to gather the courage to speak, but it was so worth it. It’s so much fun.
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hitlikehammers · 9 days ago
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The One Where Wayne Munson KNOWS BETTER Than to Lend Air to IDLE GOSSIP
(and does it anyway on accident and ends up thinking his 💕boy's boy💕 might be ✖️stepping out) ——(1/3)
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Wayne Munson’s lived his life mostly free from the hubbub of small town gossip. Some was unavoidable in his tiny holler as a boy; more was part and parcel to the service, and plain keeping half-sane in war—anything for a distraction. After all that though, Wayne’d had more’n his fill of even a teaspoon of hearsay, and compared to where he came from? Hawkins, Indiana was small potatoes for keepin’ his nose clear out of it.
Which is all to say he don’t mean to collect any of the latest scuttlebutt on his way just to town after he gets off his shift with the sun barely a glimmer, just past 5 for Leah’s to be open for a better cup-o-joe than the sludge he gets on the floor. All he wants is a hot nightcap because he knows damn well his boy didn’t pick up more grounds before Melvald’s closed last night, and Wayne doesn’t want to see his bed until he’s had a full mug of fair-to-middling coffee.
And honest: he don’t think that’s more than he’s earned to ask.
But it is more than he bargained for signing’ up to, when he sees the only other people in the diner at this hour on a Saturday.
Because the only other people are a girl he don’t know, though he can’t see her real well from the back, which only really means he sees her coffee date full-on and much too well in exchange because they’re leaned in and they’re being all touchy across the table, voices low but not too low—he don’t think they even noticed him come in, let alone come to wait close enough to hear ‘em while he insists on saving the lovely Leah herself the trip to a table when he can damn well carry his own drink, thanks kindly.
“You’re gonna have a coronary if you keep hiding this.”
The girl sounds…she sounds the way Wayne remembers his Mamaw sounding when she was about to hit his Grampy up the head over some harebrained such-and-such. Exasperated, but all from a deep well of unshakable loving.
Which is what perks up Wayne’s attention, and then churns his insides quick right-next, because—
Well. The boy this young lady’s being all over-fond at for his antics is Steve Harrington.
Who, for all that Wayne understands, is meant to be his boy’s boy.
“No, no,” Steve’s shaking his head, tone bowstring-taut; “I’m gonna tell him.” Kid sounds resolved for all of half-a-second before he’s groaning, running hands over his face: “Or, I mean—”
The thunk of the boy’s head to the tabletop clatters the cutlery, and if Wayne weren’t already clued into their conversation, he’d be wholly absolved for dropping eaves given how the noise echoes through the mostly-empty establishment bar-to-door.
“Dingus,” the girl says, and it drips with concern, with affection, with a deep choler that, again, sings loud of married-couple.
Which twists Wayne’s guts all the more to hear.
Because she’s talking to Wayne’s boy’s boy.
“I’m gonna, I promise,” Steve sounds not unlike a man on his way to the gallows, even more when he sighs deep as anything and traces out his lips with his fingers, hands shaky even out the corner of Wayne’s eye for a distance as he hisses low:
“Fuck.”
And Wayne, see, he don’t like borrowing trouble. He meant it about keeping his nose clean of the gossip and the hearsay. So he makes sure he reminds himself good in his own head that he don’t know the facts here, and jumpin’ to conclusions don’t do no favors to nobody.
It don’t do nothing for the way that what he does know, what he sees and hears with his own god-given senses in the now, don’t add up too kindly for the Harrington boy.
Not least because it seems to be adding up poor indeed for Wayne’s boy.
“Do you think he’ll—”
“Steve,” the girl’s voice goes softer, but also frantic almost, as Wayne sees her reach across the way and gather Steve’s hands with a familiarity to the motion that wouldn’t make sense unless…
Unless they’re something special to each other.
Wayne’s watched Eddie reach out for Steve that way. He’s watch Steve do the same. So it…it just don’t make sense—
“You’re shaking,” the girl says, all kinda pitiful, and Wayne’d seen it before, but now he chances a look again and: oh.
Boy’s a leaf in a cyclone.
“It’s a big deal,” Steve rasps out near under Wayne’s ability to hear it.
But he does hear it.
“You need to just lay it out,” the girl tells him, earnest now and more of that than any irritation, any frustration put-upon or otherwise; “be up front with him.”
And it ain’t fair, yet, even if all the signs are pointing that direction; but Wayne likes Steve. He doesn’t want to think the worst of him. And he doesn’t, really, in his heart, think Steve could do or be the worst, from all he’s learned and seen—Wayne’d had uncharitable thoughts about it he kid, before he knew better, based on hearsay which one more time, he don’t countenance as a rule, and he’d been taught better and quick from the second he saw Steve at his nephew’s bedside, and heard the only thing he’s proud and happy to have dropped in upon uninvited:
You nearly fucking died yourself dragging him out, Steve, what the hell—
That Henderson squirt, scolding Steve something fierce.
So Wayne reminds himself this boy loved his boy enough to risk himself to bring Eddie home. Before they were anything to one another. And Wayne knows damn well they’re both something to each other, now. It don’t make sense that Steve wants to…be up front about a notion with Eddie that could hurt.
But then: care can look a lot of different ways, and can change over time. Ain’t nobody to fault for that. And much as Wayne can’t quite believe the Steve he’s gotten to know these past many-months could swallow hurting his Eddie…
Wayne’s been proven incorrect about people more than enough in his life to know better than to think it’s impossible to be wrong about a man’s heart.
“Oh, I’m sure that’ll go over fucking fantastic,” Steve’s huffing, rolling his eyes—apparently he don’t want to be up front with the person they’re talking about. Wayne tries to remind himself that they’ve not flat out said it’s Eddie yet. Wayne shouldn’t go making assumptions.
“Why not?” the girl’s pressing him. “Be honest, with him,” then her tone does go a little judgemental; “you can’t honestly think he doesn’t suspect—”
“I really don’t think he does,” and it’s a strange thing, because no matter the words themselves, it don’t sound like Steve’s meaning to be deceitful about a thing. Kinda sounds a little like he’s mourning, like he’s just in a kind of pain. “If he did, then at least maybe I’d have some kind of,” he waves his hand in the air, looks frantic, at loose ends all around; “heads-up for where his head’s at.”
And they’re both quiet for a spell, and Wayne looks for Leah in the back, knew she was getting food ready and was happy to wait—for better or worse with the conversation he’s been privy to without permission unspooling at his side—but he’s starting to feel antsy for all that he’s hearing, and the way he can’t quite tamp down associating it all with Eddie, with touchy things Steve might have to tell Eddie—
“Tell him by the end of the weekend.”
And now: think he might have to tell, encouraged so damn strong and single-minded by his lady friend with her hand on his arm.
“That’s fucking tomorrow!”
“End,” she’s narrowing her eyes sharp enough Wayne notices more in the shift of the room than to see it head-on; “of,” and then she’s smacking Steve’s arm to emphasize hard enough it rings out; “the weekend.”
Then Wayne notices how her posture shifts, and she leans closer again, so much affection, and easy with it, and welcome for it, no doubt about it:
“I don’t like seeing you like this,” she says low and earnest; “especially not when the thing you’re like this about is,” and then her tone shifts to something bright, near-on hopeful, even:
“It’s such a good thing, Steve.”
“I mean,” Steve mumbles, kind of miserable really; “of course you think so.”
And Wayne don’t like where his head goes for things the girl who’s watching Steve with such soft eyes might think to be good, might think while she’s touching him so close and —
“He’ll,” and she huffs a touch before going all heartfelt again: “Eddie is going to—”
And the moment his plausible deniability about the subject of the discussion is gone, Wayne gives up waiting for his coffee at the counter and…retreats to the corner by the door, far as he can get from whatever’s said next. He’d leave, honest, but the truth of the matter’s this:
He can’t be expected in good faith to figure out how to bring any of this up with Ed if he don’t have no caffeine in him.
☕ 👀 ☕
✨ part ii >>>
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For @thefreakandthehair, who requested 'Whatever our souls are made of, his and mine are the same.' at my HOBBIT-STYLE BIRTHDAY MONTH PROMPT FEST—and since this is almost a YEAR LATE, could I possibly offer it as a normal-amounts-of-late birthday gift, more than as an egregiously-and-unforgivably-late prompt fill for you?
✨permanent tag list: OPEN (lmk if you want to be added/removed): @askitwithflours @awkwardgravity1 @bookworm0690 @bumblebeecuttlefishes @captain--low @depressed-freak13 @dragoon-ze-great @dreamercec @dreamwatch @estrellami-1 @finntheehumaneater @goodolefashionedloverboi @grtwdsmwhr @hiei-harringtonmunson @hbyrde36 @imhereforthelolzdontyellatme @live-laugh-love-dietrich @mensch-anthropos-human @nerdyglassescheeseychick @notaqueenakhaleesi @pearynice @perseus-notjackson @pretend-theres-a-name-here @pukner @ravenfrog @sadisticaltarts @samsoble @sanctumdemunson @shrimply-a-menace @slashify @stealthysteveharrington @swimmingbirdrunningrock @theheadlessphilosopher @theintrovertedintrovert @themoonagainstmers @theohohmoment @tillystealeaves @tinyloonyteacups @tinyplanet95 @warlordess @wheneverfeasible @wordynerdygurl @wxrmland @yourmom-isgay @1-tehe-1
NOTE: it's important to me that you know that Wayne's accept belongs to nowhere, and is just the voice of someone I knew as a kid, who also sounded like a little of everywhere and then again nowhere. so if you think some turn of phrase doesn't fit what you think you're reading in terms of dialect? it's just that this way of stringing words together is—with intention—its own amalgam of places and times
divider credit here and here
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kitteecassee · 5 months ago
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updated my page with this set today ft a pretty pink plug 🐈💕
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poorly-drawn-mdzs · 1 year ago
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Call that a Cave Story.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wen chao#wang lingjiao#mianmian#wei wuxian#jiang cheng#I had to cut the comic with JC 'holding WWX back from fighting the Wen Assholes' but it is with me in spirit.#It reads (to me) a little bit like JC is scared of Core Melting Hand and wants to have an excuse to hold on to WWX for comfort.#As far as I can recall they are around 15-17 in this arc.#And a guy who can rip out your golden core? The thing we know JC truly puts so much weight upon that he feels meaningless without it?#Yeah that's pretty terrifying. I hope WWX hugs back (he will not)#I have a lot more thoughts on Wang Lingjiao and Mianmian but I will keep them for later.#WLJ is a character I feel got done a little dirty because she has a ton of interesting potential that gets pushed aside for Mean Villainess#Let's be fully honest. Wen Chao and Wang Lingjiao are *THE* characters the Protag of one of those 'Reincarnated as the villain!' stories#Set up to be assholes to the main character and meeting a horrible end in retribution.#Do you think MXTX thought about that? How Wen Chao is basically the original Shen QiugQiu?#Who's going to be the brave soul who writes A transmigrator in wen chao's body (accidently makes wwx fall in love with him) story?#Though If we are going with “any mxtx character sho dies transmigrates to another book” WHO is the transmigrator?#Hear me out. I think it should be Original Liu Qingge. I think he and wwx would make a funny duo and I want to see it so bad.#AND the contrast of womanizer Wen Chao VS 'What is a woman' LQG.
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rinneverse · 1 year ago
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cw a little suggestive towards the end, mdni please and ty :)
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alhaitham is the type to seethe quietly in his jealousy.
he’s not outwardly possessive—no, because he lets the stranger talk to you—his pretty girlfriend—about his thesis plans, about his academic feats, and you sit there with a smile plastered on your face, nodding your head as you listen to him prattle on and on and on.
alhaitham nearly bends the book in his hand into pieces with what he claims is annoyance. not possessiveness, no, that was out of character. he was just… annoyed, that this random man had the gall to interrupt his reading session with you.
that’s what he tells himself, at least.
of course, how was he supposed to know you were dating the akademiya scribe, when alhaitham was possibly the most low-key person ever? the two of you were quiet about your relationship, content to share it between yourselves. only your close friends really knew the extent of how deep your “friendship” with the scribe went.
as soon as the man leaves (not without leaving his number for you, of course), and the two of you are blanketed in the quiet murmurs of the akademiya library, alhaitham sets his book down. he turns to you.
he finds you staring at him, amusement flickering in your eyes. alhaitham tilts his head, all feline grace, his eyes narrowing into slits as he asks, “what?”
you shake your head mirthfully, crumpling up the slip of paper in your hand and tossing it into the nearest bin. alhaitham feels his shoulders un-tense just a fraction at the sight.
“nothing,” you say, but alhaitham knows you’re lying.
so he leans closer to you, grasping your chin in his hand as he tilts your head back and forces your gaze to meet his.
“liar. what is it?”
you smile. wide and wider it grows, and you reach a hand up to brush alhaitham’s cheek. he barely suppresses a shudder at the gentle touch.
“i didn’t think you to be the jealous type.”
“i’m not.”
“then what was that all about?” you hum. you’re… amused by this. amused by him grappling with his emotions. alhaitham feels his lips twitch downward.
if you didn’t know any better, he would appear to just be frowning. but you did… and it was like he was pouting. you giggle.
“i am annoyed,” alhaitham says, stressing the last word, “that we were interrupted by a stranger. nothing more.”
“nothing more?” you parrot, your eyes gleaming with amusement. “sure. and i’m the grand sage.”
alhaitham bites his tongue, pulling his hand away from your chin. his fingers flex—he has to stamp down on his self-control. being found in a compromising position in the library would surely wreck the both of your social statuses.
but the thrill of it… seeing you bent over the table, utterly wrecked under the careful ministrations of his hands—getting to mark his claim on you...
he quickly shakes the dangerous train of thought away.
“do you want to go home?” you suddenly ask, a coy smile dancing on your lips. he must have been obvious where his line of thinking was going, if you managed to catch on that quickly. the grin on your face tells him that you did.
alhaitham pretends to ponder it. grabs the book he set down, turns it over in his hands, then shrugs.
“sure. kaveh shouldn’t be home for another few hours.”
his voice was bedroom-soft, and the tone in which he said it—nearly purring—has heat pooling in your core.
“alright. let’s go?”
he wordlessly rises, holding out his hand for you. there’s a small part of him that feels a maddening satisfaction when you let out a pleased hum, followed by a surprised yelp as he gracefully slides an arm around you.
someone nearby makes a “shh” noise, and he completely ignores it. you giggle out an apology.
it was utterly unlike him, he thinks, as he guides you through the library with his arm wrapped around your waist, slowly moving to rest his hand on the small of your back when the two of you exit the library.
maybe he’ll try being more public in his attention to you. that would most certainly keep this from happening again.
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buddie-buddie · 4 months ago
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let me go home (i'm just too far from where you are)
9.5k - T - established bucktommy
Tonight is going to be perfect.
The dinner, the wine, and then, when the moment’s right, he’ll ask Evan to move in. It isn’t the grand proposal Tommy’s saving for later on down the line, but it’s the first step. And it’s one he can hardly wait to take. 
Thankfully, he doesn’t have to wait much longer. He’s washing the last of the dishes when he hears Evan’s car door closing in the driveway. Tommy wipes his hands on a towel, excitement bubbling in his chest as he heads to the front door, ready to greet his boyfriend. 
When he swings the door open, his words die in his throat. 
Evan stands on the porch in front of him, pale and hollowed out, his eyes distant and unfocused. His hands tremble where they hang at his sides, covered in blood. Blood stains streak across his t-shirt, every inch of him radiating exhaustion and something deeper, something raw. 
“Evan," Tommy breathes, his heart lurching. “Are you okay?”
Evan doesn’t say anything. He just stands there, his chest rising and falling in shallow breaths. Concern washes over Tommy in waves. His mind races with possibilities, each one more horrifying than the last.
“Evan,” he tries again, more insistent this time.
read on ao3
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skrunksthatwunk · 1 year ago
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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viktormaru · 1 month ago
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let people enjoy things, let the fandom have fun! lets not look into deeper things thats pretentions, lets not engage with anything critically thats just hating, lets just enjoy things lets do some escapism stop being a downer, lets not think im too tired to do that, i want it easy lets have that dripfed content curated for my fun, let people enjoy things, feed me the slop ill gurgle it all, lets think less im here to have fun and fun is when im not engaged at all, its just my taste, its all tasteless im gonna ignore it im gonna translate it into the easiest tropes and trends i can handle and repeat again and again and im gonna enjoy things
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skimmingmilk · 20 days ago
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*Spoilers for the end of Sonic 3 (2024)* Tails had seen that look before. He knew what it meant. Rejection. He'd almost let himself forget. Almost didn't have to remember. Every day since he'd come to this planet, the memory faded a little bit more. Even if it would always be there, it couldn't share the spotlight when the intoxicating feelings that came with living in this place, in that house, with that family overwhelmed him with their potency. It had all been so bright… so warm… There was no warmth in Maddie's eyes when she looked back at him. She looked at him like he was a stranger. - A post-Sonic 3 movie fic based on the last look Maddie gives them before they go to stop the Eclipse Cannon and what it means to Tails in particular. Lucky for him he has two big brothers always looking out for him.
Risking Rejection (For a Chance at Acceptance)
Tails had seen that look before. He knew what it meant.
Rejection.
"Freak!"
He'd almost let himself forget. Almost didn't have to remember. Every day since he'd come to this planet, the memory faded a little bit more. Even if it would always be there, it couldn't share the spotlight when the intoxicating feelings that came with living in this place, in that house, with that family overwhelmed him with their potency. It had all been so bright… so warm…
There was no warmth in Maddie's eyes when she looked back at him.She looked at him like he was a stranger.
"That thing is not my son!"
She'd never asked for this. For them. For him.
Especially him.
This had all been Tails's plan, after all. Tails's gadgets that got them into G.U.N. Headquarters. Tails's gadgets that failed to get them out. Tails's gadgets that got Tom…
That got him…
…hurt.
"Get it out of the village! It's not what we need!"
Not what we need. Not what we need.
"—'s not what I need."
Tails flinched as Sonic's cold voice swept through him like the most brutal winter wind. He'd only wanted to help.
He knew Sonic knew what it was like to be alone—they all did, all three of them—but he didn't know if Sonic had ever faced that look of rejection. The distant dismissal. The regret of ever knowing them at all.
He couldn't imagine he had when Tails thought of the bright light in Maddie's eyes when she laughed at their dinner table shenanigans. Or the warmth in them when she tucked each of them into bed and pressed her lips to their foreheads, as if to say, "I'm here. You're safe. You're not alone anymore."
Without any words at all.
She moved her hand out of his reach when Tails tried to hold it before the medics wheeled Tom away.
He'd only wanted to give her the same feeling, remind her that she wasn't alone either. But she didn't want it. Not from him. It wasn't good enough if it came from him.
And now Sonic didn't want him either.
His first friend… his best friend. His big brother—
The ambulance doors had shut with an empty stare.
The ring portal had closed with a disgusted glare.
And they were gone.
[Continue at AO3]
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somerandomcockroach · 12 days ago
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pollyna · 2 months ago
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Hangster prompt that could go two ways when Jake, exasperated, tired, a little drunk and a little heartbroken, asks Bradley - in front of everyone and Penny, during one of their nights out at the Hard Deck - what he knows about:
Prompt A: unrequited love and Bradley answers with the description of two men looking at each other from the opposite side of a piano, while a kid tries to learn a new melody, telling each other they are in love for then never talking about it again just for the love to find space in every aspect of their life but never ever in the way it was supposed to.
Prompt B: love. What the hell does it know about love. Just for Bradley to stop in the middle of a sentence to look up at Jake, smiling softly and asking him if he's really ready to hear all that Bradley does know about love, and if he has a little more time to spear, he could tell Jake what he doesn't know about it.
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mariesbee · 6 days ago
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why can't i enjoy things like a normal person? casually, just a few episodes/chapters here and there, then move on with my life. but no, whatever it is, it worms its way into my brain, consumes my thoughts and it slowly drives me insane. i am unable to think about anything else but the Thing of the week, or month, sometimes year(s) if it gets that bad.
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hitlikehammers · 7 days ago
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💫FINALLY✨ The One Where Wayne Munson Has to Carefully Try Not To Eavesdrop 100% COMMIT TO THE EAVESDROPPING When 💕HIS NEPHEW'S BOYFRIEND💕 Comes By To FACE THE MUSIC Reveal What That Coffee Date ☕ Was REALLY All About
(well: at least Wayne's just a willful fool about all this, rather than a witless one) ——(3/3)
<<< part two
~or~
<<< back to the beginning
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Wayne’s the one who lets Steve in the next morning.
It’s his day off, and he only managed to get to bed for a couple hours anyway, so he’s just shaking off sleep when the knock comes.
And of course Steve’s as polite as ever, takes his shoes off like the upper crust kid he’ll always be but not with any of the snootiness Wayne’d expected in the beginning, just an ingrained—and eventually, grew to be downright upsetting—need to not be obtrusive, to step on no possible toes. Wayne’d been wishing for a while he’d go ahead and stomp on whatever toes he’d like to, save that today—
Today’s-Steve looks about ready to blow a gasket, and goddamn but Wayne hurts for him. He hurts more for his own boy, if what he fears despite his own good sense is what’s about to happen. But at the very same time he can’t wholly ignore the equal truth that Steve?
Steve’s grown to be his boy, too.
Wayne offers a cup from the coffee he’s about to brew but Steve turns him down with a tight smile, barely even worth being called such, which is telling for itself and more for rejecting the coffee—Steve only really does that when something’s wrong.
But Steve’s barely got to craning his neck around to look for Eddie when the man himself pops out from his room, all dimples and the kind of joy you can feel fill a room. Wayne aches for how it might be lookin’ to get dimmed, sniffed out at worst, if things are about to go sideways.
But Steve, who’s looked like he was ‘bout to be ill since he came in, takes a full breath and sheds the slightest sliver of the tension in him, just for meeting Eddie’s eyes across the way, and then Eddie’s closing the gap, arms out wide and grabbing Steve in tight and Steve’s grabbing right back, and they look for all intents like they’re trying real hard to pull so close they’ll break bones and mesh into one person, and Wayne tries to find comfort in the way people don’t do that sorta thing if they’re lookin’ to hurt one another.
They might well do that sorta thing as a kind of goodbye, though.
Eddie’s pulling them to the couch as Wayne stews over the thoughts he’s got, all at odds with each other and his own gut feeling too at that, because he’s up against the evidence he has against it turning out alright, versus the way he does believe he knows Steve to be a good man; the coffee’s burbling and draws his attention as a kindness until he hears voices from the living room:
“Eds,” and Steve’s leaning in to Eddie on the sofa and Wayne has to strain to hear and that alone should be enough to stop him. To make the more’n obvious point that he’s in the mess he’s in at all because he didn’t keep his ears to himself.
He don’t know if it makes it better or worse, that he’s not a witless fool, just a wilful one, to hold still where he’s got the dishes in hand to dry in the kitchen, so he can have a clean cup for his coffee. When he should move to the porch, have a smoke, take a walk.
“I gotta talk to you,” and Steve sounds grave with it, and Wayne tenses—he wants so bad to be wrong, because he can’t believe that Steve would do the things all the little clues add up to so easy. Not that sweet boy beat around by circumstance beneath the surface; and not done to his boy, neither.
Because Steve looks at his Eddie not so different from the moony cow-eyes his nephew don’t even try to tame.
But it’s…he sounds like there’s a death in the family he’s come to convey. He sounds like the world’s maybe ending.
Wayne don’t know if he holds his breath just to hear better, or because everything feels fragile. Maybe both things at once.
“What’s up, Stevie?” Eddie speaks so low, so sweet like he cherishes so damn much. “Are you okay, is everything—”
“Everything’s fine,” and Steve, hell: he sounds just the same, like there’s love coming out his ears. “Good, even, great, possibly,” but that sounds stilted, or maybe anxious, and Wayne don’t quite know what to make of it; “if you…”
And even Wayne can hear the labor in the breathe Steve’s taking, so he ain’t surprised when Eddie goes in all gentle and half whispers to his boy:
“Hey, Stevie.”
And Wayne don’t look, he’s pouring his coffee now, can’t take the chance of burnin’ himself and risk missing out hours for it, ‘course that’s why.
He don’t look, but he hears exactly what Ed’s words do to Steve when the reply comes out with the kind of relief you can feel with a weight in it, for what it sloughs off and makes light again:
“Hey.”
He can catch the way Eddie rubs hands up Steve’s arms, back and forth and back, foreheads leaned in together, and they sit there long enough for Wayne to lean in comfortable enough against the counter and test the heat of his drink.
“Whatcha got to talk to me about?” And it’s Eddie who broaches the elephant in the room, the soured thing at the base of Wayne’s throat churning for the past day and change. Wayne expects Steve to hold off, tiptoe a little.
He doesn’t, though; not even a little.
“I got the job.”
And that…that ain’t what Wayne was fearing at all, is it.
“Steve,” and Eddie does sound like it’s a good thing, a great thing, truly he does; “baby, that’s amazing!” And then the springs of the couch are creaking and Steve’s making a punched-out sorta sound that means only one thing: Eddie’s tackled him whole-body to the other side of the sofa.
“Fuck I’m so proud of you, sweetheart, holy shit,” Ed’s sayin’ a little breathy, punctuated by loud wet kissy sounds that Wayne usually takes as his cue to skedaddle but…he needs a minute to reconcile what he’d been thinking without believing it could be true, and the reality that it seems he’d been right deep-down about who Steve Harrington was.
“Wait, wait, wait,” Steve’s protesting through laughter, but once they both seem to catch back their breaths he likewise leans back to something serious, and Wayne sees into the living room how Eddie’s stretched on top of Steve, with Steve reaching up and holding him by the cheeks:
“I won’t take it if you,” and Steve’s clearin’ his throat, something Wayne’s noticed is like a squaring of shoulders, whether that part’s there at the same time or not; “I won’t take it, not if it means,” and it’s a painful thing the way Steve swallows, the click of it somethin’ Wayne can hear all the way in to kitchen:
“I won’t take it, and not be with you.”
And that…that Wayne don’t quite get, and he feels wrong-footed for more than just listening in, as if that weren’t enough on its own, plus the cause of the problems he’d been wrestling to start, but then: “What?”
Ed seems just as puzzled, which makes Wayne feel a little less bamboozled, but still not…still not settled with whatever’s causin’ any of it, because now that Wayne’s got real context, he thinks back a-ways, to how Steve had mentioned a promotion, but was then looking at something better all around, regional-sort of stuff; now that he’s got context, he thinks back to the morning-last, and tries to pick apart what he’d heard without an invitation, if it weren’t about the lady friend. Steve had still been so worried, with the banging of the head on the table—and how could he think Eddie’d be anything but as thrilled as he clearly is right now for his boy? Wayne’s never seen Eddie as proud of anyone or anything, so much as he is for Steve just breathing in the world at all—and damn it all if the sentiment hasn’t rubbed off a little, and sure Wayne knows Steve’s history’s made him gun-shy to celebrate the bright spots but…
“It’s in Indy,” Steve’s spelling out, and Wayne remembers that being tossed about, and well: regional. That’d make sense.
“And you,” Steve pauses, and the breath he takes in next is a shaky-echoing thing; “for now you’re here, but not for long, because you want to go and try doing music, right, and that means New York or L.A. or somewhere big, not the armpit of fucking Indiana, and—”
“Breathe, Stevie,” Eddie cuts in quick, adoring; coaches with such patience, the care in it—the love in it a tangible thing; “in, and out,” and all of a sudden from nowhere, save from everywhere and every moment leading into this—
Suddenly Wayne blinks, and out the clear blue he’s witnessing the man Eddie’s grown into.
Talk about bein’ proud.
“One more,” Eddie coaxes a gentle, and Steve listens, Wayne hears as he gulps in the air carefully and deep, sees them move in the corner of his eye as Eddie sits up proper now and folds forward into Steve’s chest where he muffles what he says, less for hiding and more maybe to press it firm into Steve’s chest so it can’t be denied, because it’ll be on the inside and settled there sure:
“Fuck, I love you.”
And Wayne has that feelin’ again like he ain’t supposed to be party to the particular degree of intimacy in the moment; maybe he lets the plates on the counter clank a little more’n necessary to remind them casually that they ain’t alone.
But discretion’s not what follows, more like the wet slip of mouths against each other and oh, well then: if the boys don’t seem to view Wayne’s presence in the next room as a deterrent then Wayne’s just gonna keep at feelin’ embarrassed, rather’n guilty to boot.
“Steve,” and Ed’s voice goes warm and low and Wayne tries to not feel bad for hearing, more focuses on bein’ happy, and grateful, for this thing his boy found in maybe the most unlikely of places, through the hardest round out of hell he could have met: he gets a thing here that Wayne wasn’t sure he still believed could even be, not with so much hate in the world as there is.
“Me and the boys, we’re good, but we’re not,” and Eddie huffs, a light thing that feels gentle and almost joyful, like he’s celebratin’ a thing that’s not inside the same words he speaks at all:
“We’re not that good.”
“Bullshit,” Steve’s quick to counter, like it means more than it reads on the label somehow, too, and still it’s said with his whole throat, at that: and at that, Wayne can’t help but grin a little himself.
He knew he wasn’t wrong about the heart of Steve Harrington. About how much this young man loves his boy.
“Steve,” and Wayne watches, don’t even make a secret of it now: watches over the lip of his mug because he’d only dared to hope for this kinda thing idly, and always feeling foolish for it, for his Eddie to find something even a smidgen close to what he’s got here; what they’ve got here as Ed reaches and tips Steve chin just a touch.
“I don’t want to waste years trying to fit a mold even by being a freak, trying to sell my brand of weird and hoping people get it,” Eddie tells him, clear-eyed like Wayne’s not sure he’s ever heard him. “I don’t want to put that much of my life into a maybe,” and then he’s tracing Steve’s jaw with a tenderness he was never taught, so it’s just something natural and pure inside him, brought out just so by this one man in his arms as he whispers so soft-hearted and with more love than feels possible even just to watch:
“Not when I’ve got what my whole heart wants most.”
And Wayne sees Steve’s jaw work under Eddie’s touch as he asks so low, and far too timid for a man Wayne’s seen live up to the monster-slaying he’s heard tell of.
“More than music?”
And it’s asked like he could never believe it; like he couldn’t expect it.
But Eddie’s back to the clear-eyed sureness, then. He has no doubts.
“More than fame,” is what he answers, flipping hands through Steve’s hair as he leans just to whisper:
“You’re the music,” and Wayne watches Steve still, his face scrunch like it does when he thinks he feels too much; “my music,” and Steve would be embarrassed to know Wayne hears the tiny little whimper that he gives when Eddie presses a kiss to the space between his eyebrows, and there’s part of him that’s embarrassed for himself in it, to have heard what’s not his, but if he’s honest he’s still stuck in that gratitude, that relief for this way it’s all shaken out, not to mention how Wayne’s little family that he never intended to start’s now feeling complete where he didn’t think there was anything left to add, to grow.
“And I have music with you as much as anywhere,” Eddie’s explaining with a wobbly little grin; “plus with you, even the music’s sweeter.”
Then he’s cupping Steve cheeks again and pressing forehead into forehead so that Wayne can only hear the barest whisper:
“Lead the way, baby, and I’ll follow with fucking bells on.”
And Steve, he’s quiet, leans back into the cushions a little and Wayne watches unabashed about it now as Steve studies Eddie, takes him in less like he’s weighing anything and more like he’s committing to memory a moment worth knowing everything about in full, and then he’s the one framing Eddie’s face in his hands and asking with a certainty he didn’t have before, and that fits him so much better:
“Move in with me? Leave here, and leave all the shit they say and the way they look at you and how they fucking treat you,” Steve damn near growls and Wayne feels all the more why he trusts Steve Harrington, and should never have even considered doubting, no matter if the mere suggestion was something he knew was pressing up against his better judgement from the start, because this is the man who loves his boy enough to take on the world, and tear it to shreds when the need rears its ugly head.
“Come with me?”
And that’s maybe a little more of the hesitance, and again, it sounds wrong as a rule, but Eddie’s quick as anything:
“It’ll take me less than a hour to pack.”
And he’s on his feet in a second and Wayne has to bite back a snort because that’ll give him away more’n anything else, but Steve’s pulling Eddie back to the sofa again in a heartbeat:
“Not that fast,” he laughs, a breathy little chuckle that’s got so much more to it even to Wayne’s ears, that’s disbelief and a little wondering joy and everything this boy deserves and has done his whole goddamn life, and heaven help his parents if Wayne ever sees them again face to face for all they ever did to make their son feel less; “got a couple months, I’ll drive up for training while the other guy’s wrapping up, then,” and he shrugs, Wayne hears it shuffle against the upholstery, then he sees Steve looking up from guarded lashes, just that little bit of uncertainty left—
“Then,” Eddie prods, meets him in that moment of waffling, of fear in trusting to feel all that they do, so visible you don’t even have to search it out. It just shines through, couldn’t deny it if you tried, and sure as hell not for how giddy, how overfull Eddie sounds then with…promise.
Ain’t no other word for it.
Ain’t no other thing Steve could latch to like he does, wholehearted and unfettered where before he was still fighting old chains.
Not no more.
“There’s a record store that needs a new manager,” Steve starts off; “a tattoo shop that’s taking apprentices, and they also need someone to watch the books,” and it’s a list, he’s listing opportunities, he’s counting out the promise; “a music store, like for instruments and stuff, that needs someone who can work but also maybe teach, because they want to start giving lessons, apparently people keep asking for them, and then there’s—”
Steve’s cut clear off, and Wayne don’t have to be in the room to know it’s for being kissed within an inch of his life.
“I love you,” Eddie’s saying again because it’s more’n a given, but it’s sounding like it’s shaping into something a little different, a little deeper, somehow a something that’s more.
“I love you so much, Steve Harrington,” and Eddie’s voice is rough with it, and Wayne ain’t gonna lie to himself that his eyes sting to hear it, even if no one can see and hold him to bein’ honest about it.
“You looked for jobs for me?” Eddie asks small, the first thing here that’s maybe overwhelmed him good and true, and in the best of all ways.
“Yeah?” Steve says it like it’s obvious, then goes back bashful nearly:
“For if you said yes.”
And then the springs of the couch are doin’ the heavy lifting again as Steve huffs and Eddie pounces.
“I fucking,” and there a pause that sounds a lot like more kissin’, which tracks along right, yeah: “I fuckin’ love you.”
And Steve chuckles, and Wayne just shakes his head, smiles down at his coffee while Eddie’s tone sobers, while he asks a little small:
“You thought there was a chance in hell that I’d say no?”
“I,” and Steve sounds chagrined, in that way that Wayne’s come to recognize means there’s an old hurt he’s covering, but one that might have a shot at makin’ a scab finally to close for good. “Robin thought I was being dumb, but I,” and he blows out a long breath, and Wayne glances to watch Eddie rub up and down Steve’s arms, waiting and being right there and oh, true as anything.
That’s the man his boy’s grown into.
“People don’t really,” Steve says slow, but measured, like he’s planning every letter out to land just so: ”people haven’t…stuck around, y’know?”
And Wayne can’t help but look to see how Eddie’s hands stop at Steve’s wrists, grounding and holding and keeping, sort of, or not sort of: absolutely that without room to misinterpret or think any bit less; same as Wayne won’t try to pretend away the bitterness at the back of his own throat that a boy as good as the one he’s learned Steve Harrington to be could think that of himself not just in passing, but as a preordained thing, an inflexible rule for always.
Makes him sick; makes him angrier than he tries to ever be these days, but good goddamn if this don’t warrant it.
“So asking someone to come with, to not just not leave but to chose to go, with m—”
And Steve’s saying things, and Eddie lets him but only to a point, and Wayne doesn’t see how he stops him, but he knows full well he’d stop still in the middle of a sound himself if the tone that comes out his boy were leveled his way: unshakable. Granite-strong, diamond-hard.
“Listen to me,” and oh, but for all the way it lands intense, the love in it’s a thing to behold and marvel at just to hear; he feels like it could undo a man to be under the gaze that tone comes alone with it, like Steve has to be sitting just now: “listen to me so fucking close right now.”
And maybe Wayne leans in, too, whether it’s meant for him or not:
“I will choose, with my whole goddamn chest, with every piece of me there is in the whole fucking world,” Eddie says, puts emphasis and feeling on each and every word; “to go anywhere, if it’s with you.”
And it’s silent for a minute, but then Wayne only just hears the sound of mouths parting and sharp intakes of breath ringing through the sill and Eddie hisses, a little hoarse, a little broken, entirely with all that he is, just like he said:
“Always.”
Then the couch goes about protestin’ again, but it’s Eddie who Wayne makes out for groaning on impact, and it makes sense that it’s Steve’s voice now breathing harsh through the vow of what comes next:
“Love you,” and there’s the kissing again; “love you so goddamn much.”
And Wayne figures he’s had more’n enough of overhearing what’s not quite his to hear, but here’s the thing.
These boys are gonna be at this for a bit, he reckons, and the coffee’s already half-gone and lukewarm besides. They’ve got money to be a little indulgent with these days, courtesy of Uncle Sam, plus Mary at the plant said the rhododendrons actually like coffee anyway.
So he figures he can justify brewing another pot, if for no other reason than to start the day off better than he’d been expecting by one helluva country mile and then some.
♥️
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For @thefreakandthehair, who requested 'Whatever our souls are made of, his and mine are the same.' at my HOBBIT-STYLE BIRTHDAY MONTH PROMPT FEST
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frostybirdgoddess · 9 months ago
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Nightcrawler being a source of strong emotional support for so many different characters, not to mention proving himself to be a total badass in the latest episode has me so nervous.
I know what Bastion did to him in the comics, they better not have that happen in the next two episodes, I swear to god.
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